It seems to me that we all take ourselves far too seriously.
Everyone goes around, trying only to give as much as they've gotten. God forbid someone take too much from us, without making up for it later. It's amazing that our heads don't explode from keeping track of who owes what to whom in every relationship we have.
I'm not really talking about money, either, though that can be part of it, but favors, affection, kind words, unsolicited help, and general regard are all parts of it.
I'm not discluding myself. If someone asks me for something, and my internal tabulator cannot make it fit into the economics of our relationship, I am irked. Similarly, if someone offers to help me with something, and I can't find a way in which they somehow owe it to me, I am uncomfortable and, usually, refuse. Unusual debts are more difficult to keep track of and to reconcile. And we all must always be reconciled.
We can't really figure out which is worse - to feel that someone has taken too much from us, or to feel that we have taken too much from someone else. It's all arrogance. We think of ourselves as strong people, no one's doormat, people who draw the line where the line needs to be drawn. We are also offended by the idea of owing something to someone else. We are far too independent for that.
I want to let go. I want all that I have to be fluid, to come and go as the world around me calls for it, like the ocean throwing waves on the shore and then taking them back. I don't want to fight the ocean. I don't want to keep track, either. It gives me anxiety.
It seems that the only human relationship that seems to, on occasion, escape this system is the relationship between parents and children. (Please let me make this romantic generalization. Thanks.) The best parents will give and give and give everything they have to give, including the most earnest and pain-staking decision-making as to what it is, exactly, that their precious little ones need. Do they run dry? Do they ever decide that they've been used up, or that they've somehow lost their worth? Not usually. Not in a fatal way, anyway. They are fueled by love.
Why do we, then, fear so much? If I lend someone money and they don't pay me back, am I somehow less of a person? Have they taken any of my humanness away? No. No. No.
Love. Confidence. Gratitude. Holding on to these things, maybe I can let go of everything else.
fellow synchrobloggers' posts:
Debt, n
Indebted
What Do I Owe You?
debt we debtors
Debt of Lament
Tuesday, April 12, 2011
Friday, April 1, 2011
I play music at bars sometimes.
I play music at bars sometimes. It's good fun. My friends come out. I meet new people - bar patrons, other musicians, adventurous friends of friends. All of this, I enjoy.
This story is about one of these times.
This story is about one of these times.
I had been looking forward to this show. I liked the venue and it was close to my house. Also, we hadn't played in a while, so the resilient novelty was back.
The sound check was over and so I approached the bar for a free PBR, my favorite of the minimal perks awarded small-time musicians. As I waited, a man entered from the street. His appearance wasn't remarkable, but the way he interacted with his surroundings was slightly alarming. He greeted everyone with great physical and vocal enthusiasm, like he had just arrived at a family reunion. The responses were minimal or nonexistent, which made his behavior seem even that much more out of place.
He approached me and asked a few questions. I, entertained, engaged him for a short period of time.
"Who's in your band?" he asked.
"Those guys over there. " I answered, pointing to a small circle of men across the room.
"Oh, I know those guys." he said as he swung his arms in an "aw shucks" kind of way and began to walk toward the other members of my band. I knew he did not, in fact, know them and so I did not follow him, but instead went on drinking my free PBR.
He didn't approach me again until I was walking from the bar to the stage. I hadn't been playing attention and the out-of-synch strumming and drumming, characteristic of any band's first moment on stage, alerted me to the fact that I was supposed to be there too.
Once we made eye contact before I reached the stage, I knew I had been intercepted. He began to speak, set on another conversation, but I interrupted.
"I have to get on stage now," I said with a smile. (One is always kind to people in bars when they're about to listen to one's music.)
"Who's in your band?" he asked.
"Those guys over there. " I answered, pointing to a small circle of men across the room.
"Oh, I know those guys." he said as he swung his arms in an "aw shucks" kind of way and began to walk toward the other members of my band. I knew he did not, in fact, know them and so I did not follow him, but instead went on drinking my free PBR.
He didn't approach me again until I was walking from the bar to the stage. I hadn't been playing attention and the out-of-synch strumming and drumming, characteristic of any band's first moment on stage, alerted me to the fact that I was supposed to be there too.
Once we made eye contact before I reached the stage, I knew I had been intercepted. He began to speak, set on another conversation, but I interrupted.
"I have to get on stage now," I said with a smile. (One is always kind to people in bars when they're about to listen to one's music.)
"Okay, but I have one more thing for you after," he replied.
"Okay," I said, with another smile that he may or may not have seen before I turned my head away from him.
"Okay," I said, with another smile that he may or may not have seen before I turned my head away from him.
Hopping on stage, I wondered what this "one more thing" would be. And had there been other "things" that would make this new "thing" an addition?
I didn't have too much time to wonder. When I turned around to face the audience, there he was, standing inches from the stage, right in front of me. He was holding his right hand out, palm down, with his fingertips all touching - the way you would carry a dirty diaper. But there was no diaper, or anything else, hanging from his gathered fingers. He looked at me, expectantly, and continued to hold his hand toward me. I decided that there must be something very small in his hand that he was trying to give me.
Not wanting to be rude, I flattened my hand, palm up, and held it under his. He released his fingers and something fell onto my hand. I closed the gap between my face and hand to get a better look.
It was an eyebrow ring. At least, I assumed it was an eyebrow ring because he had a similar silver hoop through his eyebrow.
I was at once confused and disgusted to be holding something that was meant to be pushed through the face of an unsavory stranger. I smiled an anxious smile and said "thank you" as the chords of the first song began to play.
Sustaining the anxious smile, I tilted my still flat hand over the set list on the ground until the questionable object slid off and rested right in the middle of the sheet of paper.
We started to play, and I forgot for a minute what had just happened, but between the first two songs, and every song thereafter, I looked down to check the set list there it was, shiny and upsetting.
The man's behavior during the show was, considering the story until this point, not surprising. Erratic movements and exclamations as well as, I believe, at least some mild disrobing. (He wasn't drinking, but I heard afterward that he was seen taking some pills. That helps a little.)
When we were finished, he approached the stage, but this time, I decided to take a bit more control of the situation. I picked up the load-bearing set list and offered it to him.
"Do you want this back?" I asked, very seriously, looking at the ring.
"No, that's for you because your nose ring is so beautiful." he replied.
(I had switched my nose ring from a stud to a hoop right before the show, to be a little bit cooler. This was not cool.)
"It's okay, I have plenty." I said, bringing the piece of paper closer to him, and tilting it toward him. The ring began to slide and he caught it.
"Thanks, though." I said, my usual smile returning.
fellow synchrobloggers' posts:
Music Ascending
Hail, Music
sing on, michael bolton
I didn't have too much time to wonder. When I turned around to face the audience, there he was, standing inches from the stage, right in front of me. He was holding his right hand out, palm down, with his fingertips all touching - the way you would carry a dirty diaper. But there was no diaper, or anything else, hanging from his gathered fingers. He looked at me, expectantly, and continued to hold his hand toward me. I decided that there must be something very small in his hand that he was trying to give me.
Not wanting to be rude, I flattened my hand, palm up, and held it under his. He released his fingers and something fell onto my hand. I closed the gap between my face and hand to get a better look.
It was an eyebrow ring. At least, I assumed it was an eyebrow ring because he had a similar silver hoop through his eyebrow.
I was at once confused and disgusted to be holding something that was meant to be pushed through the face of an unsavory stranger. I smiled an anxious smile and said "thank you" as the chords of the first song began to play.
Sustaining the anxious smile, I tilted my still flat hand over the set list on the ground until the questionable object slid off and rested right in the middle of the sheet of paper.
We started to play, and I forgot for a minute what had just happened, but between the first two songs, and every song thereafter, I looked down to check the set list there it was, shiny and upsetting.
The man's behavior during the show was, considering the story until this point, not surprising. Erratic movements and exclamations as well as, I believe, at least some mild disrobing. (He wasn't drinking, but I heard afterward that he was seen taking some pills. That helps a little.)
When we were finished, he approached the stage, but this time, I decided to take a bit more control of the situation. I picked up the load-bearing set list and offered it to him.
"Do you want this back?" I asked, very seriously, looking at the ring.
"No, that's for you because your nose ring is so beautiful." he replied.
(I had switched my nose ring from a stud to a hoop right before the show, to be a little bit cooler. This was not cool.)
"It's okay, I have plenty." I said, bringing the piece of paper closer to him, and tilting it toward him. The ring began to slide and he caught it.
"Thanks, though." I said, my usual smile returning.
fellow synchrobloggers' posts:
Music Ascending
Hail, Music
sing on, michael bolton
Thursday, March 10, 2011
the bad bag of cuties
Satisfied with my selections, I approached the register.
When it came time for my orange mesh bag of clementines to be carefully waved over the scanner, the cashier paused, turning the bag over in her hand, the oranges tumbling awkwardly over each other as she did.
"This is a bad bag," she said. "You should go get another one."
In retrospect, and even at the time, it seems I should have just said "okay" and did as she said.
For some reason, indignation for the "cuties" (their brand name) rose within me and so instead of turning toward the produce section, I answered her with a question.
"Where?" I asked, kindly, but firmly.
She hesitated, surprised (a bit like I was), and once again began to turn the bag over in her hand, looking for some support for her bold claim. (I, for one, would not like to be called a "bad bag" for no good reason.)
After a few awkward seconds, she found an orange whose peel was orange and white, instead of just orange. She held it up for me to see.
I was not afraid of the white on the peel. And now I felt kind of sad for this group of oranges - they thought they were cuties, only to find out that they had somehow ended up in a bad bag.
"That's fine. I'll take them anyway." I said.
I've eaten them all now, and they were tasty. Not a bad fruit in the bag.
My synchroblogging friends' posts:
When it came time for my orange mesh bag of clementines to be carefully waved over the scanner, the cashier paused, turning the bag over in her hand, the oranges tumbling awkwardly over each other as she did.
"This is a bad bag," she said. "You should go get another one."
In retrospect, and even at the time, it seems I should have just said "okay" and did as she said.
For some reason, indignation for the "cuties" (their brand name) rose within me and so instead of turning toward the produce section, I answered her with a question.
"Where?" I asked, kindly, but firmly.
She hesitated, surprised (a bit like I was), and once again began to turn the bag over in her hand, looking for some support for her bold claim. (I, for one, would not like to be called a "bad bag" for no good reason.)
After a few awkward seconds, she found an orange whose peel was orange and white, instead of just orange. She held it up for me to see.
I was not afraid of the white on the peel. And now I felt kind of sad for this group of oranges - they thought they were cuties, only to find out that they had somehow ended up in a bad bag.
"That's fine. I'll take them anyway." I said.
I've eaten them all now, and they were tasty. Not a bad fruit in the bag.
My synchroblogging friends' posts:
Saturday, March 5, 2011
The Senior Scramble
When I was a child, I was terrified of the dark. I'm pretty certain that this wasn't a unique characteristic I had among children. They even named a scary television show for children Are You Afraid of the Dark? because they knew the answer was ""yes, of course."
When I found myself in the dark, there were various ways of dealing with the situation. The Blanket Over the Head method had a high success rate. Sometimes talking or singing out loud was helpful. The only real cure for this particular type of fear, however, besides turning the lights on, of course, was to hear a familiar voice (that wasn't mine), or better yet, a physical confirmation that I was with a person in whom I had great trust. For instance, if I were afraid, in the dark, then felt the hands of one of my brothers on my shoulders (assuming they weren't trying to scare me deliberately, which may be a stretch), then the fear would leave as if it had never been. Even my little sister linking arms with me could melt my fear.
Again, I'm sure this is a childhood story that any one of us could tell. However, it's not really logical, is it? I mean, what was I afraid of in the first place? A monster? An ax murdered? An alien? Could my little sister really help defend me from any of these things? No. She could not. Why, then, did her presence take my fear away? Either I really did think that the small girl had some as of yet untapped power, or she distracted my thoughts from what might be lurking in the shadows.
Fast forward several years to college. Beginning with my freshman year, I watched a thing we called the "senior scramble." What this meant was, if you were a senior and single, you best scramble to find someone to marry before it was time to flip your tassel. (After all, there are no decent mates to be found outside of college - in case you didn't know.) I say I "watched," but what I really mean is that I mocked, judged, laughed, and rolled my eyes at the senior scramble. I didn't understand what people were so afraid of. So they would graduate single. They were only 22. Get over it.
Fast forward a few more years to my senior year of college. A veil is lifted and I get it. The senior scramble was not much different than my clinging to my little sister in the dark as a child, except for the scramblers, their future was the dark, and their spouse would be their little sister.
As adults, we don't fear the dark as much as we did, but a new fear has crept into the mix. It's not that different, really - a fear of the unknown. Then, we couldn't stand the thought of facing the beasts in our dark room alone. Now, we can't stand the thought of facing the beasts in our dark future alone. No light in the world can tell us what will happen, so we cling to someone to distract us from the fear, to make us feel safe.
I'm not saying this is a bad thing. In fact, I think it's one of the things that makes us human.
I do it. I'm still single, but hold fast to those I trust, while tiptoeing into the great unknown.
Fellow synchroblogger posts:
dark city
From Darkness, Light
Into The Darkness
How Are You? I Am Fine
further
synchroblogging in the dark
When I found myself in the dark, there were various ways of dealing with the situation. The Blanket Over the Head method had a high success rate. Sometimes talking or singing out loud was helpful. The only real cure for this particular type of fear, however, besides turning the lights on, of course, was to hear a familiar voice (that wasn't mine), or better yet, a physical confirmation that I was with a person in whom I had great trust. For instance, if I were afraid, in the dark, then felt the hands of one of my brothers on my shoulders (assuming they weren't trying to scare me deliberately, which may be a stretch), then the fear would leave as if it had never been. Even my little sister linking arms with me could melt my fear.
Again, I'm sure this is a childhood story that any one of us could tell. However, it's not really logical, is it? I mean, what was I afraid of in the first place? A monster? An ax murdered? An alien? Could my little sister really help defend me from any of these things? No. She could not. Why, then, did her presence take my fear away? Either I really did think that the small girl had some as of yet untapped power, or she distracted my thoughts from what might be lurking in the shadows.
Fast forward several years to college. Beginning with my freshman year, I watched a thing we called the "senior scramble." What this meant was, if you were a senior and single, you best scramble to find someone to marry before it was time to flip your tassel. (After all, there are no decent mates to be found outside of college - in case you didn't know.) I say I "watched," but what I really mean is that I mocked, judged, laughed, and rolled my eyes at the senior scramble. I didn't understand what people were so afraid of. So they would graduate single. They were only 22. Get over it.
Fast forward a few more years to my senior year of college. A veil is lifted and I get it. The senior scramble was not much different than my clinging to my little sister in the dark as a child, except for the scramblers, their future was the dark, and their spouse would be their little sister.
As adults, we don't fear the dark as much as we did, but a new fear has crept into the mix. It's not that different, really - a fear of the unknown. Then, we couldn't stand the thought of facing the beasts in our dark room alone. Now, we can't stand the thought of facing the beasts in our dark future alone. No light in the world can tell us what will happen, so we cling to someone to distract us from the fear, to make us feel safe.
I'm not saying this is a bad thing. In fact, I think it's one of the things that makes us human.
I do it. I'm still single, but hold fast to those I trust, while tiptoeing into the great unknown.
Fellow synchroblogger posts:
dark city
From Darkness, Light
Into The Darkness
How Are You? I Am Fine
further
synchroblogging in the dark
Monday, February 28, 2011
righteous frustration
It's difficult to separate things that I love to do from the things that I do well; one of the things that I love is doing things well. I feel pretty swell with every pat on the back, kind of like a dog (what an upsetting analogy), but have I grown accustomed to this satisfaction as the best that there is? Have I forgotten what it's like to feel the thrill of achieving something that's truly important to me?
It's difficult to re-evaluate every day what it is that I want and then compare it to what I have and what I could conceivably have. It's utterly exhausting, but I think it's the only way. Righteous frustration with where I am and where I am not is the fuel that can propel me toward my actual best case scenario.
The question is: What is my actual best case scenario? Am I living it? If not, is it even achievable at this point in my life? And finally, if it is within my grasp, of what do I need to let go in order to reach it?
Wednesday, February 16, 2011
Guilt is not becoming.
This post is the first post belonging to a synchroblogging project in which a small group of bloggers have agreed to write on the same topic regularly. (We don't really have any rules, so I believe I'm allowed to discuss the synchroblog within the synchroblog. If not, let the synchroblogods strike me now.)
Our first topic is guilt.
For days I sorted through possible post topics related to guilt - mostly stories I could tell, because stories are the best kinds of posts. There was a problem - I couldn't think of a story involving guilt that I really wanted to write about. Writing about something is kind of like agreeing to go on a date with it. Sure, the experience may not last long, but it could be quite uncomfortable.
I wasn't willing to go on a date with guilt.
I consider myself to be a very practical person. I'm not entirely sure whether or not others would agree. I can also be a very silly person, but don't believe these two things to be mutually exclusive. I define practical as being toward an intended end. I am silly toward the end of having joy and then gratitude. Therefore, my silliness is quite practical.
There are certain things that, when I set them next to my particular brand of practicality, I find impossible to embrace. One of these things is guilt. Guilt serves no practical purpose.
Our first topic is guilt.
For days I sorted through possible post topics related to guilt - mostly stories I could tell, because stories are the best kinds of posts. There was a problem - I couldn't think of a story involving guilt that I really wanted to write about. Writing about something is kind of like agreeing to go on a date with it. Sure, the experience may not last long, but it could be quite uncomfortable.
I wasn't willing to go on a date with guilt.
I consider myself to be a very practical person. I'm not entirely sure whether or not others would agree. I can also be a very silly person, but don't believe these two things to be mutually exclusive. I define practical as being toward an intended end. I am silly toward the end of having joy and then gratitude. Therefore, my silliness is quite practical.
There are certain things that, when I set them next to my particular brand of practicality, I find impossible to embrace. One of these things is guilt. Guilt serves no practical purpose.
Remorse, sure, that's helpful. That's a feeling that can help me make a good decision next time, help me make things right. It works together with empathy and reconciliation, I think, to unite people, even in painful times. Guilt, on the other hand, only alienates people. It stops people from loving themselves and prevents them from building relationships. Unbound guilt could well be a death sentence to joy and any meaningful social interaction.
I don't have the statistics in front of me, but I would guess that guilt is number one killer of Christians, who, by definition, aspire to be godlike. It's like a diet, or anything else we try to stick to for our own good - once you start to stray, the guilt starts to eat you, and sooner or later, most people just fold completely to avoid it.
In an attempt to stay alive, I decided long ago that guilt was not for me. I wasn't made for it and it is not becoming.
And that is why I didn't want to go on a date with guilt. It makes me nervous.
Fellow synchroblogger posts:
Monday, February 7, 2011
I wish I could sing
One of my earliest memories is of singing with my dad. He taught me to sing "I Will" by the Beatles. I stood by him, not quite his height, even as he sat at our keyboard. He pointed out my lyrics with one hand if I lost my way, while the other perpetuated the bass so the song could go on.The song ends on a note that's both higher than the rest, and not quite intuitive. I had a hard time landing right on it. I was only 9 or so. Not wanting to disappoint my dad, who was so talented and happy to teach me, I recorded myself singing those last notes on my Talk Boy (made popular by Macaulay Culkin in Home Alone 2) and listened to it in bed, in the dark before I fell asleep. I tried to practice quietly, but more than once my late-night rehearsals would received the cease and desist order from one of my parents in the next room.
As I got older, and after many performances for family and church-members, I came to think of myself as quite the little singer. The enthusiasm that follows the performance of a small (er than average) blond girl known and loved by everyone in the room is often more than the performance warrants. I didn't know this.
It wasn't until my early teenage years that things began to change. My oldest brother, home from college, was telling me about how he'd picked up the bass and wanted to start a band. I asked if I could sing in the band. He told me that they would need someone with a more mature voice. I shrugged. I was young then. When I was older, of course, he's change his tune.
Then began a painful tradition. I began to sing with the family band. Every time I sang, though, my very supportive and well-intentioned mother would motion for me to bring the microphone closer to my face. Then, she would gesture to anyone near the PA head to turn my microphone up. After the song was done, she'd approach the stage and explain that no one could hear me. Someone would explain to her that I was turned up as high as could be. The next song would start and she would look at me with her eyes wide and her mouth open - exaggerated facial expressions that meant I should sing louder.
I couldn't sing any louder.
My mother wasn't the only one, either. There were other perplexed faces - furrowed brows of those trying to make out what it was that my mouth was doing behind the microphone. Apparently, as you grow older, as a singer, different things are expected of you, like a louder, stronger voice. I don't know where mine was, but no one seemed to believe that I wasn't hiding it. Why would I hide it? If a louder voice would stop the wide eyes that meant I was doing something wrong, I would have given anything for it.
By the time I went to high school, I had accepted that I really wasn't very good at singing after all. It was difficult to accept because I loved it so much. I may have stopped altogether - I certainly wanted to at times - if music weren't so inescapable in the DeConto household. We had a band. We were called upon at most family gatherings to perform.
This sounds like a sad story, but as I think about it, it was ultimately kind of liberating. To do something that you love to do with the belief that you're not in any way exceptional kind of frees you to enjoy it in a different way.
Like I said, I never really stopped singing. When I went off to college, I began to sing more. I learned to play the guitar. The family band started up again a couple of years later and I entered it with a different, more casual attitude. Funny thing, though, the more I sang and the more I performed, the better I became. Now, I think I love it more than ever, and have reclaimed it as an important part of who I am.
The downside of having experienced those years of resignation is that I may never really believe that I'm in any way exceptional (though it's so much fun for me now, I really don't care if I am or not). The upside, which, believe it or not, I find more valuable than the ability to think I'm awesome, is that I have come to attribute any success I have to confidence and experience, which are things in which anyone can invest. Now, when people say to me "I wish I could sing," I can say back to them, without hesitation, "You probably can."
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